Instruments

2016, Till Bovermann

Instrument sets of the experimental musicians playing at the closing concert of the 3DMIN project (2016). Continue reading

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On MetaControl

2016, Alberto de Campo

The notion of MetaControl occurred to me while I was collaborating on the modality toolkit, a software library based on the idea of highly modal interfaces/instruments, i.e. setups where a small number of physical interfaces can access and control a variety of processes in a great variety of ways.
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Dafna Naphtali in concert at Skolska, Prague , Nov. 2010

What if your instrument is invisible?

2014, Dafna Naphtali

As an electronic musician, I am largely occupied with capturing and manipulation of sound in real time — the sound of instruments being played by other musicians. I am also a vocalist, and often my instrument(s) are perceived as being “invisible”.

Real-time live sound processing“, “audio machinations”, “{kaleid-o-phone}” – are all terms I’ve used to describe what I do, since I first started in the mid-90’s, dragging a 
Mac-plus computer and MIDI controllable effects units to clubs and venues, lots of equipment so that I could experiment, and find a way to play sound manipulations in a musically reactive way, especially in improvised contexts.

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