2016, Till Bovermann

Instrument sets of the experimental musicians playing at the closing concert of the 3DMIN project (2016). Continue reading



2014, unknown

Spatialisation of sound has become a central compositional design category of electro-acoustic music and sound art in the 20th century, which is very often used only in the pre-performative composition process. While sound has an inherent spatial dimension, instrumentalists rarely integrate realtime control of spatial parameters into performances. Continue reading