2016, Till Bovermann
Instrument sets of the experimental musicians playing at the closing concert of the 3DMIN project (2016). Continue reading
2016, Till Bovermann
Instrument sets of the experimental musicians playing at the closing concert of the 3DMIN project (2016). Continue reading
2014, unknown
Spatialisation of sound has become a central compositional design category of electro-acoustic music and sound art in the 20th century, which is very often used only in the pre-performative composition process. While sound has an inherent spatial dimension, instrumentalists rarely integrate realtime control of spatial parameters into performances. Continue reading